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1. Life and Works Nietzsche was born on October 15, 1844, in Röcken (near Leipzig), where his father was a Lutheran minister. His father died in 1849, and the family relocated to Naumburg, where he grew up in a household comprising his mother, grandmother, two aunts, and his younger sister, Elisabeth. Nietzsche had a brilliant school and university career, culminating in May 1869 when he was called to a chair in classical philology at Basel. At age 24, he was the youngest ever appointed to that post. His teacher Friedrich Wilhelm Ritschl wrote in his letter of reference that Nietzsche was so promising that “He will simply be able to do anything he wants to do” (Kaufmann 1954: 8). Most of Nietzsche’s university work and his early publications were in philology, but he was already interested in philosophy, particularly the work of Arthur Schopenhauer and Friedrich Albert Lange. Before the opportunity at Basel arose, Nietzsche had planned to pursue a second Ph.D. in philosophy, with a project about theories of teleology in the time since Kant. When he was a student in Leipzig, Nietzsche met Richard Wagner, and after his move to Basel, he became a frequent guest in the Wagner household at Villa Tribschen in Lucerne. Nietzsche’s friendship with Wagner (and Cosima Liszt Wagner) lasted into the mid-1870s, and that friendship—together with their ultimate break—were key touchstones in his personal and professional life. His first book, The Birth of Tragedy out of the Spirit of Music (1872), was not the careful work of classical scholarship the field might have expected, but a controversial polemic combining speculations about the collapse of the tragic culture of fifth century Athens with a proposal that Wagnerian music-drama might become the source of a renewed tragic culture for contemporary Germany. The work was generally ill received within classical studies—and savagely reviewed by Ulrich Wilamovitz-Möllendorff, who went on to become one of the leading classicists of the generation—even though it contained some striking interpretive insights (e.g., about the role of the chorus in Greek tragedy). Following the first book, Nietzsche continued his efforts to influence the broader direction of German intellectual culture, publishing essays intended for a wide public on David Friedrich Strauss, on the “use of history for life”, on Schopenhauer, and on Wagner. These essays are known collectively as the Untimely Meditations. Although he assisted in early planning for Wagner’s Bayreuth project and attended the first festival, Nietzsche was not favorably impressed by the cultural atmosphere there, and his relationship with the Wagners soured after 1876. Nietzsche’s health, always fragile, forced him to take leave from Basel in 1876–77. He used the time to explore a broadly naturalistic critique of traditional morality and culture—an interest encouraged by his friendship with Paul Rée, who was with Nietzsche in Sorrento working on his Origin of Moral Sensations (see Janaway 2007: 74–89; Small 2005). Nietzsche’s research resulted in Human, All-too-human (1878), which introduced his readers to the corrosive attacks on conventional pieties for which he became famous, as well as to a style of writing in short, numbered paragraphs and pithy aphorisms to which he often returned in later work. When he sent the book to the Wagners early in 1878, it effectively ended their friendship: Nietzsche later wrote that his book and Wagner’s Parsifal libretto crossed in the mail “as if two swords had crossed” (EH III; HH 5). Nietzsche’s health did not measurably improve during the leave, and by 1879, he was forced to resign his professorship altogether. As a result, he was freed to write and to develop the style that suited him. He published a book almost every year thereafter. These works began with Daybreak (1881), which collected critical observations on morality and its underlying psychology, and there followed the mature works for which Nietzsche is best known: The Gay Science (1882, second expanded edition 1887), Thus Spoke Zarathustra (1883–5), Beyond Good and Evil (1886), On the Genealogy of Morality (1887), and in the last year of his productive life Twilight of the Idols (1888) and The Wagner Case (1888), along with The Antichrist and his intellectual biography, Ecce Homo, which were published only later. At the beginning of this period, Nietzsche enjoyed an intense but ultimately painful friendship with Rée and Lou Salomé, a brilliant young Russian student. The three initially planned to live together in a kind of intellectual commune, but Nietzsche and Rée both developed romantic interest in Salomé, and after Nietzsche unsuccessfully proposed marriage, Salomé and Rée departed for Berlin. Salomé later wrote an illuminating book about Nietzsche (Salomé [1894] 2001), which first proposed an influential periodization of his philosophical development.