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Book XVIII follows the archetypal comic finale in that it consists of the resolution of a series of misunderstandings: Square's letter dispels Blifil's false accusations, and Mrs. Waters's testimony reveals Tom's true parentage. The summary of future events that concludes the novel is typical of Romantic comedy, and it serves to show which characters have experienced a "Revolution," and which ones have not. Blifil, for example, shows no contrition about his wicked acts and instead begins plotting afresh. It is appropriate that Tom, the protagonist, has undergone the greatest transformation—he now lives in perfect chastity with Sophia as his wife. Tom's forgiveness of Blifil makes Tom a better man even than Allworthy, who wishes to punish Blifil. In such a way, rather than simply being born good, Tom achieves the status of "hero" by the novel's end. The vast arc that Tom makes from beggarly bastard to wealthy, dignified gentleman makes the novel a kind of Bildungsroman"—that is, a novel that charters the growth of a single character from infancy to maturity.