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LINES 102-104 A motion and a spirit, that impels All thinking things, all objects of all thought, And rolls through all things. The speaker concludes this vision by describing this “something” that dwells in all the natural world and human consciousness. The speaker again imbues this presence with agency. His description of it as a kind of “spirit” connects it to the speaker’s own spirit, evoked earlier in the poem, as well as the spirit implicitly present in the Wye valley, which the speaker addressed as “thou.” This presence or spirit, he says, “impels” or makes possible “all” things, both those who think and all that is thought about. The speaker’s anaphoric repetition of “all” here is striking, following as it does from his previous usage of the word. Earlier, he had said that nature was to his younger self “all in all.” This description suggested that nature was, to his previous self, a kind of totalizing experience, but also, in certain way, opaque or unknowable—since the phrase itself is circular and defies clear interpretation or explanation. Later, he acknowledged that he had lost “all” the “aching joys” of his previous life, and “all its dizzy raptures.” The word “all” in these earlier lines indicated what was “all” or everything to the speaker then; yet in describing this vision he has had, the speaker seems to have gained insight into another meaning of “all,” one that extends beyond his own experience to include the “all” of the world and the universe. The /l/ sound, meanwhile, in “rolls,” as the speaker describes the movement of this presence, is consonantwith the /l/ sound in “all,” suggesting that the presence moves or “rolls” through all things with life and agency, but also, in a certain sense, is all, or everything.