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INTRODUCTION INT. COLLEGE - NIGHT A father, mid-40s. Think of Andrew Koji. He is in the car with his friend, driving to pick up the son from college. The father’s name is Roèn Jei-Ru. A boy, late teens. Think of Manny Jacinto, Brandon Soo Hoo, Justin H. Min, or Ryan Potter. He approaches the car, rushing in frantic. The boy’s name is Jay Jei-Ru. Roèn quickly picks up his child from college. ROÈN JEI-RU (panic) Get in the car, now! JAY JEI-RU (frighten) On it. What about sister? ROÈN JEI-RU (panic) Get in the car and we will discuss it once you get in. Jay gets in the car in steadfast, seating himself behind the driver’s seat. There’s a caucasian man, mid-30s too. Think of David Beckham or Dan Stevens. His name is Noral Lèion. He’s the driver while Roèn is in the passenger seat. INT. CAR - CONTINUOUS Jay looks at his father; he also recognizes Noral. JAY JEI-RU Father, is sister safe? I may not know the full story of your situation with Noral, but is she safe? ROÈN JEI-RU She’s safe with my team. She’s with Dr. Scheikiv Finstein. JAY JEI-RU Scheikiv Finstein? Who’s he? ROÈN JEI-RU A good friend; a very good friend. I am dropping you off to him as we will be there. INT. CAR - LATER Noral is driving the car; Roèn is on the front passenger seat; Jay is sitting in the back of the passenger seat. Noral looks at Jay from the rear mirror, having a sense of worried, not for Jay, but his own child. NORAL LÈION (worried) Roèn. Roèn looks at Noral from his reply. ROÈN JEI-RU Yes? NORAL LÈION (worried) When I look at your son, it reminds me of my son. You get that feeling of being scared, thinking what these monsters will do to your kid. Roèn frowns. He rolls his eyes downward. ROÈN JEI-RU Well, we are together in this cesspool. I just need to get my son to be with Dr. Scheikiv Finstein; I know that you’re worried about your own son too. Have you put your son with him? NORAL LÈION That, I have done it. I don’t put all of my faith to put him there because I don’t know if they will ever find out where they are. I’m just worried that— Sudden cut. A bright light shines from the dark. A truck runs over Noral’s car at the intersection with a big CRASH. It hits them on the left side. It smothers and smears Noral’s car, causing it to SCREECH on the asphalt. Noral’s car rests on the corner where the telephone pole stands. Smokes residuals are puffing out. There are two strange men, coming out from their truck, not showing their faces. One of the strange men pulls out his gun from his holster, shoots Noral and Roèn in the head. Two BLAST—instantly dead. The other strange man with a hoarse breath opens the passenger’s door, grabs Jay by the neck, and starts to choke him while holding him in the air. Jay looks at the strange man who looks really ugly. The ugly man carved Jay’s face with a sharp knife. He rips it off before choking Jay to death. Jay can’t even scream while blue blood gushes out from his face. Jay dies from suffocation and from drowning in his own blood. The Ugly man drops the corpse. UGLY MAN (hoarse voice) Dead! BWAHAHA! STRANGE MAN Boss will be please to hear about this. Carve their faces off as our proof. The ugly man laughs sinisterly. He carves the three victim’s faces, one by one, and grabs them as some proof to their boss about their job is done. They went back to their car and shut their doors. UGLY MAN (hoarse voice) Job done; job no more. The two strange man leaves the scene along with their truck. Camera zooms in on Jay and his corpse. INT. ORPHANAGE HOME - DAY The news and the reporters report about a car accident and a murder scene unsolved. There are three victims are killed last night. It’s a report about Roèn, Noral, and Jay. There is a little Asian girl and a little blonde boy, crying as they hear on the news. It’s about how their two fathers are found dead. The little Asian girl is about eight. She is the same age as the little blonde boy. Think of Matthew David Morris at the age of eight for the blonde boy. Think of Seo Yi Soo as the little Asian girl. The little Asian girl’s name is Leiyè Jei-Ru and the blonde boy’s name is Reik Lèion. Dr. Scheikiv Finstein, the one who is in charge of the orphanage home, is also stunned to see his two best friends are reported dead in the news. Think of James Cromwell as Dr. Scheikiv Finstein. SCHEIKIV FINSTEIN (grief) I’m going to turn off this damn television. I had enough of it! Scheikiv Finstein turns the television off with a remote controller. He looks at one of the male nurses since other nurses, male and female, gather around to see the news. SCHEIKIV FINSTEIN Nurse, take care of them. I have some important business to do. MALE NURSE Yes sir. INT. ORPHANAGE HOME, ANOTHER LIVING ROOM - CONTINUOUS CAMERA: the camera aims behind at Scheikiv in a third-person view, no cut, one continuous shot. Scheikiv walks over to another room. One of the female nurses approaches him. FEMALE NURSE Doctor. I’m sorry to hear about your loss. Scheikiv Finstein sighs after he takes off his glasses, rubbing at the edge of his glabella. SCHEIKIV FINSTEIN My two friends are dead. I’m going to see if I can help out at their funeral. The female nurse frowns. FEMALE NURSE Stay strong doctor. Stay strong. Scheikiv Finstein sniffs his tears from his grief. Camera long shot ends. EXT. FUNERAL, OUTSIDE - DAY Scheikiv Finstein, holding Leiyè and Reik with his hands over their shoulder. The three of them look at the three coffins at a near distance. There’s a priest, speaking in prayers to end his sentences. The funeral ends; the burial begins. Governor Balfore Beckard, early 50s, approaches Scheikiv Finstein, Leiyè, and Reik. Think of Tim Robbins or Tom Hanks as Governor Balfore Beckard. BALFORE BECKARD Good to see you, doctor. SCHEIKIV FINSTEIN (grief) Hello there governor. How’s your province doing? BALFORE BECKARD Good. Governor Balfore looks at the three caskets. BALFORE BECKARD I only come here to say sorry about your loss. Your two friends are good soldiers and good spies before the Queen’s assassination; however, a child with them, dying most brutal way. It’s unbelievable and unforgivable. Scheikiv Finstein, nodding slowly in tears. BALFORE BECKARD Your friend is also my friend. I pray to God that all goes well with you. SCHEIKIV FINSTEIN (grief) Thank you for your comfort. BALFORE BECKARD If you need a place to hide with the children at the orphanage home, let me know. I can help you. Governor Balfore Beckard gives his card that has his name, phone number, and address. BALFORE BECKARD Call me if you need anything. I made a promise to your friend to protect you. SCHEIKIV FINSTEIN Same here, Governor Beckard. I made a promise to protect the children. These children belong to our team that died. Governor Balfore pats Scheikiv Finstein’s shoulder before leaving the scene. BALFORE BECKARD Yes. Too many have passed; too many have gone away. Just pray to God as we will give our grief to Him. The three coffins are being buried in the dirt. END OF INTRODUCTION